The very disappearance of Yugoslavia in fact prolonged its existence and Platiša and Rajšić's longing for its original state. In the same way that Yugoslavia continued to exist ideally beyond its disappearance,Platiša and Rajšić enact a performance that is dependent on the physical nature of a breath. They stood on the ends of either side of the glass. They blew their breathe onto the glass in an attempt to make a continuous line that would connect in the middle. Once the line was completed, the performance was over.
April 2011, Toronto (dur.: 3'41")