0° 0' 0", 2011

The very disappearance of Yugoslavia arguably prolonged its existence and Tamara Platiša's and my longing for its original state. In the same way that Yugoslavia continued to exist ideally beyond its disappearance, Platiša and I enacted a performance that was dependent on the physical nature of a breath. We stood on the ends of either side of the glass. We blew our breath onto the glass in an attempt to make a continuous line that would connect in the middle. Once the line was completed, the performance was over.


Collaboration, Tamara Platiša
Photography, Arielle Bush

April 2011
Queen Street West, Toronto ON

Duration 3min 41sec


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