"This photograph masterfully deploys light and shadow to suggest the trauma that results in the aftermath of armed conflict. Its careful composition brings attention to a building's façade, darkened in shadow but with several suggestive, open, light-filled windows, and a figure that surveys a landscape of debris. After the war, this is an image that suggests both the futility of attempting to rebuild one's life and the ever-present possibility that life must persist."
John Armstrong, Jayne Wilkinson, and Faisal Anwar
VAM40, Art Gallery of Mississauga
"This photograph masterfully deploys light and shadow to suggest the trauma that results in the aftermath of armed conflict. Its careful composition brings attention to a building's façade, darkened in shadow but with several suggestive, open, light-filled windows, and a figure that surveys a landscape of debris. After the war, this is an image that suggests both the futility of attempting to rebuild one's life and the ever-present possibility that life must persist."
John Armstrong, Jayne Wilkinson, and Faisal Anwar
SAŠA
RAJŠIĆ
SAŠA
RAJŠIĆ
10-1, 2011
With a seemingly minimalist approach and limited vocabulary, Tamara Platiša and I delve into the question of connection and our condition within our social beings. 10-1 deals with the boundaries of physical and mental realities. It is a slow process performance that explores trust between two individuals who are completely dependent on each other to communicate through the act of giving commands and completing said actions. As the performance progresses, the physical distance between us increases, we finish at the same time in separate locations.